Norway: It's kind of like communism run by Santa. -Lee Eichelberger
 
March 27th, 2009

Longevity of Solid State Memory Cards?

Late last year, our house was broken into and a bunch of electronics were stolen, including the MiniDV video camera we had had since our wedding (fortunately the thief didn’t take all of our saved tapes). My video workflow over the past decade has consisted of shooting (judiciously), occassionally making a short web video, and putting the tape away in a cabinet for the archives.

When the camera was stolen, I replaced it with an HD camera that stores video data on SD cards. The usual workflow for SD-based cameras is that you extract what you need to disk when the card is full, then erase and re-use it. But I don’t always have time to do the reviewing and capturing every time, and don’t always feel comfortable erasing the card and starting over to shoot more footage. The question becomes, what is the best way to store this data long term?

I could of course buy another external hard drive dedicated to the task. They’re cheap enough, but experience teaches that disks are fallible, so then you get into the problem of having to back up what could quickly become terabytes of data.

Another solution would be to buy archival grade DVDs and copy data to them as cards fill up.

A final option would be to NOT reuse SD cards, but to replace them when full instead, and stack them in the cabinet for archival purposes just as I used to do with MiniDV tapes.

Doing some comparison shopping, it looks like the price ratio between using archival DVDs and buying new SD cards is similar enough to be neglible. The question then becomes, how do the shelf lives of these two media compare? If you search for information on the longevity of SD cards, you find lots of information about how they’re only good for a limited number of read/write operations before they start to fail… but that’s not what I’m interested in. I’m talking about writing to them once, only reading them a few times max, but storing them for years or decades. It’s surprisingly difficult to find information on how long data on an SD card will last if NOT used.

I’m confident they’d be fine for a few years. But what about 20? What about 50? (yes, I want my kid to be able to access this data when he’s grown up, hopefully without going through the hoops I recently did dealing with my dad’s 60-year-old 8- and 16-mm film stock.

Archival DVDs claim to be good for 100 years, and I’d be willing to trust that figure, or something like it, even though none of them have been around long enough for the estimate to be verified. But for convenience, I’d love to be able to skip the transfer step and just store SD cards long-term. Without information on that, I’m skittish about it.

Anyone have info on long-term shelf-life of unsed SD cards?

December 14th, 2008

Video Service Compression Test

A quick comparison of video compression quality at three of the major video upload services. I posted the same video file to YouTube, Flickr, and Vimeo, and have added them here alongside the original for comparison. I think the results speak for themselves.

miles_thump The original video was not shot with a video camera, but with a Canon SD1100S pocket still camera, which generated AVI files. I stitched a few together in QuickTime and saved the result as a QuickTime .mov. I did not alter any of the compression settings, and ended up with a file using the old standby codec Motion JPEG OpenDML at 640×480, 30fps, at a data rate of 15.75 mbit/sec.

Because it’s 60MBs, I’m linking to the original rather than embedding it.

Subject, by the way, is my son Miles (6) stomping in puddles on a rainy day at Jewel Lake in the Berkeley Hills.

YouTube clearly generates the worst results, with a huge amount of compression artifacts and general jerkiness:

To be fair, YouTube also offers a “high quality” version, which doesn’t look much (any?) better. Especially not compared to Flickr’s and Vimeo’s “normal” output.

Few people use Flickr Video, though the feature has been available for nearly a year. Results are definitely better than YouTube, but not as good as the original, and very similar to Vimeo (bottom).

I expected Vimeo to be the clear winner. Vimeo is known for excellent video quality (and the site design is excellent too). But now that I see them side by side, I’m having trouble finding much in the way of quality difference between Vimeo and Flickr. Downsides: It took Vimeo 70 minutes to make the video available after upload, and the tiny size of Vimeo’s social network means the video will get far less “drive-by” traffic than it will on YouTube.

July 10th, 2008

Pollywogs II – YouTube Takedown

Short version: YouTube has removed one of my videos from the service with no explanation. I suspect politics.

Long version: A couple of years ago, while digitizing old 8mm and Super 8 film for my family, came across footage my father had shot on board the Coast Guard Cutter Chautauqua in 1957 — footage of a hazing ritual that sailors have gone through for centuries on their first crossing of the International Date Line or Equator. I posted the video on YouTube, and it’s been viewed more than 25,000 times since then.

A few weeks ago, received a note from a reader saying that the YouTube video had been removed for “Violation of Terms of Service.” Since the video is 100% original and involves no copyright violation of any kind, I immediately contacted YouTube, asking for an explanation. I’ve sent two follow-up messages in the past two weeks, but have yet to receive a response from the service.

There was another possibility. E! Entertainment contacted me a year ago, saying that they were preparing a documentary feature on hazing rituals, and asked for permission to reproduce the footage on TV. With Dad’s permission, I signed and faxed them an agreement, allowing them to do so. Wondered whether fine print in the agreement had given E! any exclusive rights, so looked over the contract. Didn’t appear so, but called them to be sure; they assured me that they had had no involvement whatsoever in the YouTube takedown, and that I retained the rights to the footage.

So the likeliest explanation is that the video was flagged by a YouTube user as being inappropriate, and YouTube responded by removing the video without questioning/viewing/thinking. But what exactly is it about the video that violates their terms of service? Maybe it reflects poorly on the military. Maybe it shows how weird human beings can be to each other. But I doubt the YouTube EULA prohibits display of seamen having their faces smeared in used engine oil, crawling through troughs of garbage, and being sprayed down with fire hoses.

At this point it’s a mystery. I’ve given up waiting for YouTube to respond to my inquiries, and have re-posted the video on Vimeo (amazing UI!). Here it is:


Pollywogs from Scot Hacker on Vimeo.

Music: The Fall :: What About Us?
December 16th, 2007

New Media Webcasts

Another week of interesting webcasts coming up at the J-School, mostly focused on questions surrounding the evolution of newsrooms – the integration and embrace of new and alien techniques and technology in the news gathering process.

The talks represent the public component of another digital media training workshop sponsored by the J-School and the Knight Foundation. We’ve greatly ramped up the number of workshops held each year – this topic is becoming critical to struggling newsrooms around the world.

Tune in live, or check back for archived versions.

Music: Wilco :: At Least That’s What You Said
November 19th, 2007

Tivo Transfers

Part of the fun of exploring the brave new world of HDTV and Series 3 TiVo is figuring out how to get Tivo-recorded shows onto the Mac and preserved on DVD, and to go the other way around, from the Mac to the TiVo (i.e. watching BitTorrent movies in the living room). None of this is built in, exactly, or well-documented. But it’s do-able.

For the First Case, I’ve used TiVo Desktop, which only comes bundled with Toast Titanium 8 (grrr — if you’re going to bundle a network connection on a device, then software to make it work should be included free), then burned to DVD with the awesome VisualHub.

I haven’t yet mastered the art of the Second Case, going from the Mac to the TiVo. Michael Alderete, who was a communications ace at Be back in the day, has written an excellent guide covering the process soup-to-nuts. We hooked up on the topic through a post in the VisualHub forums, and I wound up throwing in a few edits to his doc.

This document describes set-up and processes for downloading videos from the Internet using BitTorrent or other mechanisms, and then transferring them to a TiVo Series 3 high-definition (HD) recorder, for playback on a high-definition TV (HDTV).

Ironically, I haven’t yet gotten the Mac –> TiVo connection working yet myself; TiVo says my “brain” (that’s this Mac’s hostname) is empty. I suspect a firewall issue. Alderete’s directions assume Tiger, not Leopard. The problem is that in Leopard you need to manually poke a firewall hole for the apps you want to be able to communicate with the rest of the world — but Tivo Transfer is a preference pane, not an app, so there’s no clear way to add it (adding the preference pane module to the list of apps hasn’t unblocked the pipes).

Will get this licked eventually. And keep burning DVDs when necessary until then.

Music: Henry Kaiser :: It Happened One Night
November 14th, 2007

A Vision of Students Today

Interesting video produced by the Introduction to Cultural Anthropology class (Spring 2007) at Kansas State:

Speaks for itself. More at mediatedcultures.net.

See also: 60 Minutes‘ report on the Millenial generation – an eye opener.

October 25th, 2007

Hooked on a Feeling, Vol. 1

Ktel This week, Stuck Between Stations combed through a Denny’s shortstack of YouTube bookmarks to find videos that simply will not escape the brain, no matter how many times you call the sheriff to force their eviction. The visual equivalent of ear-worms, these A/V train wrecks take up residence in the corpus callosum, either because of or despite their badness, and lodge there for keeps, like grains of sand in your Juicyfruit. There are elements of awe and sadomasochism at work here. It’s not just that these videos are “so bad they’re good” (though there’s plenty of campy indulgence); we’ve come to genuinely love these “bad” music videos, and offer no apologies. In Vol. 1, Roger and Scot subject themselves to South Indian breakdancing music, the bizarre-but-relevant soul stylings of Tay Zonday, a troupe of angry geriatrics covering The Who, an airborne David Hasselhoff, the worst Star Wars theme song cover ever taped, and Leonard Nimoy’s foray into Hobbiton.

September 14th, 2007

Minuscule

Got kids? As summer fades, it’s getting dark earlier, which means evenings indoors. And for us, that means only one thing: YouTube! Kidding of course, but we did just stumble upon a large and completely amazing collection of short videos, rendered from a bug’s-eye perspective – excerpts from Thomas Szabo’s 2006 movie Minuscule:

IMDB: “You might call it a cross between Tex Avery and Microcosmos, or grassroots slapstick.” A few of the clips are available in higher resolution at the official web site, which is a gorgeous work of art on its own (though somewhat mysterious to navigate). Would like to get my hands on the original DVD, though it’s mysteriously not available through NetFlix (no surprise – seems like NetFlix doesn’t have half the stuff I search for.)

Anyway, next time you want to cuddle up with your kid(s) in front of the computer, check these out – Miles ate ‘em up like peanuts.

Music: Sun Ra and the Year 2000 Myth Science Arkestra :: Prelude to a Kiss

July 11th, 2007

Two Wheeler

Two-Wheeler Miles has been riding with training wheels on his bike for half a year now. Somehow, a sunny summer evening seemed like the perfect time to try ditching them and flying free. He had a bit of trepidation, and after his first wipe-out he declared his “new” bike “stupid” – said he wanted to give it as a present to a 7-year-old. Then he said he wanted to try again. Riding on the grass turned out to be the magic ticket, and made wipeouts fun. Within half an hour he was flying free and ecstatic. Strange, almost comical coincidence – practically every crash was complemented by the ping of a baseball on aluminum bat in the diamond we shared a field with.

QuickTime video

Music: Marty Robbins :: The Story Of My Life

June 29th, 2007

The RIOT Wheel

Riotwheel Tell me you don’t want one. “The RIOT Wheel is a huge, heavy motorized single-wheel vehicle, originally
built for Burning Man, the natural home of deviant vehicles.” The version currently being worked on is actually a hybrid (take that, Toyota!). The weight of the rider out front is counterbalanced by the weight of the engine, which hangs freely inside the wheel. An adjustable crane lifts the engine up and down, changing the angle of the dangle and thus its leverage. Apparently it’s steered by leaning, though it apparently steers like an oil tanker. Coupla videos here. Not too zippy in those vids, though inventor dude claims to be working towards a land speed record (his own, I imagine).

Music: Mahmoud Ahmed :: Belomy Benna

May 23rd, 2007

San Francisco in Jell-O

Hickock1 Liz Hickok creates scale models of San Francisco cityscapes, then uses the models to create Jell-O molds by the hundreds. The Jell-O cityscapes are lit and filled to perfection, wanting only a giant dollop of Cool Whip (which is itself “a delicious blend of sugar, wax, and condom lube”).

Similar to making a movie set, I add backdrops, which I often paint, and elements such as mountains or trees, and then I dramatically light the scenes from the back or underneath. The Jell-O sculptures quickly decay, leaving the photographs and video as the remains.

The labor involved in creating these must be intensive. The results strike me as super-saturated, glowing representations both of SF’s jellified undercarriage and its playful surface life. The molds later become art objects themselves.

Music: Mr. Smolin :: Face The World

May 22nd, 2007

Bike Commute, Pushing Codecs

Had a few ideas about ways to present multiple views of GPS data in a multimedia project, part of which involved videotaping my bicycle commute along the Ohlone Greenway from handlebar-eye-view, then speeding up the 27 minutes of footage to a more watchable five minutes. Mounted a camera with a very sturdy professional cam clamp left over from a long-ago project and set off. Hit a bunch of snags, and am not sure whether they might be show stoppers for the whole project. What I had hoped would capture a lovely ride turned into a struggle with the outer limits of the most advanced codec technology, and ended up looking like total dooky.

Problem #1: Because camera is rigidly attached, it picks up every little bump in the road. This mounting method is inherently shaky.

Problem #2: Because camera is on handlebars rather than on my head, the camera view doesn’t track my line of sight, which is very disconcerting for the viewer (or maybe just for me, since it doesn’t match my experience at all).

Problem #3: Video doesn’t account for a human’s peripheral vision, which accounts for so much of the experience not shown here. Again, disconcerting (makes it seem much more dangerous than it actually feels).

Problem #4: The natural side-to-side pumping action of bicycling adds to a seasick, high-motion effect not actually experienced by the rider.

Problem #5: Once the footage was speeded up, pauses at stop signs pass by in a blink, making it look like I ride with total disregard for both death and the law. Not so! Though I do do some rolling stops, I’m actually very careful at intersections, especially because the Ohlone Greenway cuts across streets a ways away from the “real” intersections, so most drivers aren’t in the headspace to be expecting cross-traffic (despite zebra stripes and big yellow warning signs). I wear an orange safety vest and treat those intersections with kid gloves.

Problem #6: Video codecs rely on data similarities between frames, and none of them perform well under high-motion conditions. What could have more motion than shaky footage played back at 5x? Thought I could convey a beautiful morning experience, but this looks completely pixelated and smeared-out, even though I used the usually gorgeous h.264 codec. Of course, YouTube also apply their own compression, but my local version doesn’t look much better than this one. The only version that came out looking passable was the version with no compression at all — and it’s 750 MBs.

The footage is also a bit over-exposed, but that’s operator error rather than endemic. Hope to have access before long to a helmet-mountable lipstick camera, which should help a lot with problems 1, 2, 3, and 4, but will do little for problems 5 and 6. Back to the drawing board.

Music is “High Water” by Bruce Lash – Bruce gave me permission to use his stuff in projects back when I was at Adamation, and he now offers a bunch of downloadable music free for personal use.

January 13th, 2007

lynda.com

An unheard-of week at work – students gone, most staff gone, pushed aside half a dozen simmering commitments and immersed myself in a week of intensive Flash training. Flash is a skill I’ve wanted to pick up since forever, but have never cleared time for. It’s not the kind of thing you can pick up by dabbling – you have to throw yourself at it, give yourself over to its strange logic, swim in its strange waters for a while. Things that are trivially simple in HTML become nuttily difficult in Flash… but with juicy pay-offs.

Used two books as references, but spent most of my time at lynda.com – a site stocking more than 16,000 online training videos on piles of common software. Haven’t checked out their non-Flash coverage, but was blown away by the clarity and thoroughness of the Flash training. $25/month gets you access to all-you-can-eat, on any topic. Killer deal.

Anyway, great to finally have general comfort with the program after all these years. And before you ask, the answer is no — this doesn’t change my overall feelings about Flash. My caveats remain: Use it judiciously, use it only where standards-based development won’t get you where you’re going, be mindful of accessibility and search issues, etc.

Music: Kalama’s Quartet :: Lei E Hula
December 8th, 2006

More Plastic Than Plankton

There’s more plastic than plankton in the ocean — about 6x more. Every piece of plastic ever made basically still exists; pieces break down but never decompose entirely. The impact of 100+ years of plastics production on our oceans is tragic, and seemingly unfixable. Heartbreaking (but tiny) video: Our Synthetic Sea.

Long list of resources on the topic of our plastinated oceans. The biggest problem are nurdles – the raw material used to make everything from CDs to plastic pipe. America alone produces 100 billion pounds of nurdles each year. In the ocean, they function as attractants for extremely high ratios of PCBs and other toxins. Since they look to fish and birds just like fish eggs, they are consumed by sea life in quantity. But while plastic in the oceans is a mixture of pre-consumer and post-consumer, “The American Plastics Council says the problem is not with the people who manufacture the material, but rather the people who use it.” In other words, litter.

Humans have a hubris that we can fix any problem we create. But it’s our belief that this is one problem we can’t fix. All we can do is stop polluting and hope the ocean will clean itself up in a few hundred years.

Send a message to your governor asking for support reducing the amount of garbage being legally dumped into oceans.

Music: Turtles :: You Showed Me
November 28th, 2006

The YouTube of the Avant-Garde

Posted last year about the re-launch of UbuWeb, a 100% free repository of avant-garde and conceptual audio and video — concrete poetry, experimental sound works, obscure video. Now the site has “converted all of its rare and out-of-print film & video holdings to on-demand streaming formats a la YouTube … We offer over 300 films & videos from artists such as Vito Acconci, Pipilotti Rist, Jean Genet, The Cinema of Transgression, Richard Foreman, Shuji Terayama, Jack Smith, Carolee Schneeman, John Lennon and hundreds more.”

Unfortunately they don’t offer an “embed this video” option like YouTube does, but no matter – UbuWeb is performing an incredible service by presenting the content. Not all of it is great, but all of it is appreciated.

Thanks Jan Fex

Music: Steve Earle :: Ellis Unit One