The optimist proclaims that we live in the best of all possible worlds; the pessimist fears this is true. -Cabell
 
December 3rd, 2009

iTunes Remote Control

bragg.jpg Scenario: Music collection on an iMac in the office on one end of the house, pumping music over Airport Express to stereo in the living room on the other. Need to be able to remotely navigate collection and control playback from a laptop in the living room.

Seemingly perfect solution: iTunes Remote app for iPhone, connecting to the office Mac via wi-fi. Close, but not quite. At first, iTunes Remote app seems like the perfect remote control, complete with album covers. But a real remote you can pick up and operate on a moment’s notice, no strings attached. The iTunes Remote app, on the other hand, takes around 10 seconds to re-connect to the remote library every time you want to use it. You wouldn’t accept that kind of delay from any other remote control, so iTunes Remote gets annoying fast.

Alternative 1: Enable iTunes Sharing on the office Mac, then launch a copy of iTunes on the living room laptop and access the shared library. Configure iTunes to send music from the laptop directly to the AEX. Problem solved? Not quite. I rely heavily on the ability to rate tracks as they roll through. 1 or 2 stars for the tracks I can live without, then periodically cull duds from the collection based on ratings. Tracks with 4 or 5 stars form the basis for my best playlists. Unfortunately, when connecting to a remote library in this way, you have read-only access, and no way to rate tracks on the remote box. Bzzzzzt, deal-breaker.

Remote_iTunes_Logo_1.jpg Alternative 2: Third-party software. There are a few shareware packages available in this niche, but the only one I found that worked reliably was Jonathan Beebe’s open source Remote iTunes. The interface is a stripped down clone of iTunes itself, but its remoting ability includes something iTunes does not – the ability to authenticate as an admin user. Enter the IP of the office Mac, a username and pass, and give it a few seconds to pull across the music library index. Once connected, it stays connected, and you get the ability to rate tunes on the remote system. It’s not perfect, but close enough for jazz.

I’d love for iTunes itself to grow this ability so I’d have access to all iTunes features. Alternatively, I’d kill (not literally) for a desktop version of the iPhone Remote app. But Remote iTunes gets the job done with less pain than anything else I’ve tried.

May 7th, 2008

iTunes and Network Attached Storage

Deets on recent iTunes weirdness and attempted solutions, mostly for people asking about it on Twitter.

I’ve been storing my music collection on an Infrant ReadyNAS RAID system for more than a year. Aside from slow write speeds over a lame 10 megabit connection, it’s worked really well, and it’s comforting to know that, even though I’m not backing up the collection, at least I’m reasonably well-protected from disk failure.

But over the past month or so, I’ve been noticing more and more of those little exclamation marks in iTunes indicating that a track could not be found. Ah… turned out I had accidentally run iTunes for a while with the NAS unmounted, and iTunes had re-set the base dir to my home (thank you, how nice!), so now the collection was partially split across volumes.

I could re-navigate to find missing tracks individually, but there were too many to catch them all, and because the files weren’t on a local volume, the process per-file was agonizingly slow. Tried the Advanced | Consolidate menu option to try and force iTunes to put everything back on the NAS, but no dice – still a sea of exclamation points.
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September 27th, 2007

DRM Is Dead

Nevermind-1 Call me a freak, but I’ve never actually heard the music of Nirvana, except for “Teen Spirit,” which is popular enough to be unavoidable, and the Unplugged album, which I bought because it had covers of two Meat Puppets tracks. OK, so now I’m listening to Nevermind for the first time (having a bit of trouble figuring out why Cobain is so famous – most of it sounds as lame now as the rest of grunge did in the summer of ‘91).

Amazon just opened up their MP3 music store, and it’s huge – not just in size, but in what it means for DRM’d music. 2.3 million songs for starters, all in standard MP3 format in excellent fidelity (256kbps), and all DRM-free. iTunes charges extra for the privilege of getting hi-fi tracks without DRM; with Amazon it’s the default.

iTunes has historically had clear advantages over web-based music stores from a UI/performance/integration perspective, but Amazon has worked hard to make the problems of doing all of this without a dedicated/integrated app go away. I’ve been begging eMusic to add an inline music player for years now, but nothing has changed. Amazon gets it right on the first try.

Amazon does require a helper app if you want to download whole albums though (which is the only way I buy). The helper app is available for Windows and Mac right out of the gate; Linux version coming soon. I found the Mac version buggy – it promised to transfer tracks directly into iTunes, but didn’t. And the preferences panel refused to open until I relaunched the app. I’m seriously considering dropping the eMusic subscription I’ve kept up for years. Will have to study more to see how their catalogs compare.

The eMusic subscription model is a mixed bag. On one hand, it’s a killer deal. But like Netflix, it’s only a deal if you actually use it. So every month I dutifully surf through my saved items and grab my 60 tracks, even if I’m too busy to digest them properly. The upside is that it’s sort of a commitment to expose myself to something new every month. Amazon’s pay-as-you-go model makes more sense financially for occasional buyers, but without the subscription goading me to discovery, I can imagine myself buying – and discovering – less music. You have to be more pro-active to keep new tracks flowing.

The critical missing piece at Amazon is the lack of informational context. iTunes includes reviews and metadata from the All Music Guide, and eMusic hires actual music writers to generate tons of interesting/useful summary info and magazine-style essays. Amazon relies entirely on customer reviews. If there are none, you’re on your own. Not a terrible thing, but I do like to learn a bit about the artist before diving in. [Correction: Amazon does include contextual information for some artists, but not for albums (that I can see).

Hrm… their Captain Beefheart section includes two albums I’ve never heard or heard of, while their Meat Puppets selection includes almost nothing (and none of the good stuff). Give ‘em a break – it’s a fresh service. But you’d think it wouldn’t be hard to get SST on board.

Anyway – the important thing is the precedent this establishes. If Amazon can do DRM-free, non-proprietary digital distribution deals with these major labels, it’s the final nail in the coffin. DRM is over (for music anyway). Tears shed by no one.

Music: Nirvana :: On A Plain