Recently at Stuck Between Stations, Roger Moore on Barack Obama’s attempt to shake his image as a closet Pink Floyd fanatic and the “Us and Them” mentality that has dogged Roger Waters. Meanwhile, Floyd’s inflatable pig floats out of control into a neighboring golf course.
Hillary Clinton noted that “there is no clear evidence that Barack Obama is an America-hating Pink Floyd fanatic. As far as I know.” “But let me tell you,” she continued, “during my administration, we’ll have no time for laser light shows, ponderous guitar solos, vague anti-capitalist lyrics, and 23-minute songs about albatrosses. From day one, we’ll be rolling up our sleeves for the working people of America, pausing only for some Carly Simon, James Taylor and maybe a few aromatherapy candles.”
Also: Roger on Thao Nguyen’s “Bag of Hammers”
The entire site is built on WordPress, and features a newly integrated News section. The fancy navigation menu animation unfortunately doesn’t work in Internet Explorer, but degrades well and is still functional for brain-dead browsers.
Our new Plan A account, optimized for student budgets and hosting needs, is available to students everywhere (with proof of enrollment, if we don’t already know you), and is valid until one year after graduation.
We’ve also reduced rates a bit for our other hosting plans, increased bandwidth and storage allocations across the board, and increased the number of plan features available to all users.
Feedback welcome.
“Your signature is more powerful than you think.”
]]>I’m a San Francisco-based journalist and editor. Partial to Vladimir Nabokov, who said that “curiosity is insubordination in its purest form,” I’ve utilized my predilection for nosiness, most recently, on political and investigative stories related to the environment, profiles of unlikely environmentalists, and special projects tied to climate change and green living.

In the middle of putting the strategy together, the server itself arrived. Along with it, a separate box, very light. Inside that box, two more boxes. And inside those… ye gods! One power cable each. Power cables that don’t require damage protection at all, and that could have been stuffed into a single padded envelope. Better yet, they could have been thrown into the server’s own box - there was plenty of room.
This kind of thing makes my blood boil. Why do so many people/organizations behave as if their actions don’t matter? It’s not just one box. Multiply this kind of apathy by millions and you get… the world as it is. Talked to a Safeway employee last night who was foisting plastic bags on me unrequested. Asked her whether management was talking about banning plastic bags from the store any time soon. Her answer floored me: “No. In fact, we’re not even allowed to ask ‘Paper or plastic.’”
My boss warned me that if I blogged about this, certain perqs would be revoked. This is a test.
Miles has been building “projects” at home for so long that I’ve become used to coming home and finding a creation like this one almost completely blocking the door. We step over assemblages of Lego, Playmobil, wooden blocks, trains, Star Wars figures, beanbag chairs, and stuffies like they’re part of the furniture. He’ll spend hours hunkered down, working out every detail (this one wasn’t as detailed as many of them are, though plastic animals later decided to have a party in the “house,” each animal getting a party favor and positioned according to its ability).
His structures take over the living room, dining room, play area, back yard (the second one pictured was a Rube Goldberg device to get a plastic ball from the top of a ramp into the wire catch-frame at the bottom, apparently inspired by the giant mousetrap he saw at Maker Faire). We adjust our walking patterns to his architectural indulgences. Signs of OCD, but in a good way. As he gets older, his projects become less random, more structured, often with a story behind them (generally indiscernible until interviewed). But at the same time, the story lines are becoming a bit more realistic, less surreal. His description of this one was very matter-of-fact:
It’s a seven-story house and it has doors and windows like all houses do and it has a draw-bridge, a garage and a swimming pool in the middle. And 16 animals live in there. I forgot their names. And it has a ladder to get up to the drawbridge. And it’s not painted.
Someday we’ll put together a compendium of his annotated projects. Coffee table book?
I’ve been storing my music collection on an Infrant ReadyNAS RAID system for more than a year. Aside from slow write speeds over a lame 10 megabit connection, it’s worked really well, and it’s comforting to know that, even though I’m not backing up the collection, at least I’m reasonably well-protected from disk failure.
But over the past month or so, I’ve been noticing more and more of those little exclamation marks in iTunes indicating that a track could not be found. Ah… turned out I had accidentally run iTunes for a while with the NAS unmounted, and iTunes had re-set the base dir to my home (thank you, how nice!), so now the collection was partially split across volumes.
I could re-navigate to find missing tracks individually, but there were too many to catch them all, and because the files weren’t on a local volume, the process per-file was agonizingly slow. Tried the Advanced | Consolidate menu option to try and force iTunes to put everything back on the NAS, but no dice - still a sea of exclamation points.
Decided it was time for some XML surgery. It’s no fun editing a 50MB file in TextMate, but the edits looked good. After iTunes re-indexed… No change - all missing tracks were still missing. Rassafrassa…
Fine. Time to rsync the collection over to a USB drive, just in case something bad was brewing.
rsync -a -v /Volumes/eggplant/MP3/ /Volumes/Jarlsberg
After a couple of hours rsync completed, but with an error message: “Couldn’t synchronize all files.” No further info. Crapola. Digging deeper, decided to get a directory count from both the USB drive and the NAS to see what had been skipped in the rysnc process:
ls -1 /Volumes/Jarlsberg > ~/Desktop/usb-dir.txt
ls -1 /Volumes/eggplant/MP3 > ~/Desktop/nas-dir.txt
Then ran a diff from within TextMate and… the light went on. All of the skipped directories were case contrast issues:
Half-Man Half-Biscuit
half-man half-biscuit
Wherever two dir names were identical but the case was different, iTunes was having trouble locating them, and rsync wasn’t able to transfer both to an HFS-formatted drive. So now I was getting somewhere. But how did it happen, and what to do about it?
The NAS runs Linux, and its volumes are ext2fs-formatted. The network layer is AFP. The USB drive is HFS+ formatted. ext2fs is completely case sensitive; HFS+ is case-insensitive but case-respecting. So this works on Linux, but not on the Mac:
mkdir foo
mkdir Foo
You’d think that iTunes would never create two dirs with the same name but different cases, even when writing to a filesystem that supports that… but the evidence proved otherwise - iTunes had created a directory structure it couldn’t read.
So I’m content using USB external storage for my music, as long as I can come up with a way to back it up (maybe I’ll just push monthly tarballs to the NAS, or use S3, or something). The remaining problem was getting all of my playlists, play counts, etc. back. Again, more XML surgery. More wrestling with a 50MB XML file, re-importing, things getting weird. Running out of patience, decided to throw in the towel and start fresh. Dragged in 30,000 tracks from the USB drive and damn the database. Not ideal by a long shot, but the process did manage to resurrect a bunch of long-orphaned tracks, ghost podcasts, etc.
So my question is, did I screw something up, or hit a genuine bug? Is this an edge case? And why did it take so long to manifest? For now, I’m not feeling particularly comfy about using non-Apple network storage for iTunes, though obviously thousands of people do it every day. Hrm.
The Arabist is dedicated to covering the politics and culture of the Arab world. It is published and maintained in Cairo, with contributions from journalists and researchers working in the region.
On the same hosting account are two additional popular blogs covering Arab culture and politics: Hatsheput, on women, society and academia; and 3arabawy, by Cairo-based journalist Hossam el-Hamalawy.
The Arabist came to Birdhouse looking for both WordPress expertise and bandwidth optimization assistance - we’ve been hard at work providing both.
Update: Five days after moving the sites over, many Egyptian ISPs are still pointing at the old host, which means the old “72 hours for global DNS updates” rule of thumb just ain’t true. The journalists are now trying to cover recent Egyptian riots, and many Egyptians aren’t able to see the updates. I’m getting hammered with requests to “do something,” but all I can do is to try and contact the Egyptian ISPs and ask them to please flush their DNS caches. No luck yet. Ah, the joys of running a hosting biz.
]]>Still, Maker Faire is one of the most inspirational things going - a wonderland of unpackaged, under-funded, can-do creativity. Cyclecide had their full range of human/bike-powered rides and attractions, the giant mousetrap was fully operational. A glass-blowing artist displayed his Prozac-eating chicken, an electronic calliope and a chariot pulled by an Arnold Schwarzenegger bot wandered the grounds, blending in with the Extra Action marching band as Total Annihalation jammed on stage near a 40-ft goddess made of welded steel cable, spewing great balls of flame from her heart chakra. Battlebots battled and hovercraft hummed and dudes roasted pickles near a giant Tesla coil. Steampunk ruled the day, its centerpiece Neverwas Haul alive and well (and until you’ve heard a steam gizmo concerto, your ears ain’t lived). People ground bags of flour from raw wheat with a bicycle, affixed Legos to a Jeep, 4′ cupcakes drove around, kids blasted model rockets 200 yards into the air, a man knitted and drummed at the same time (with the same sticks).
In other words, Maker Faire is Burning Man Lite — and that’s OK. If you can’t take off a week to hang out in the desert, or don’t want to usher your kids into a psychedelic love den, Maker Faire brings much of the same creative juice, with a more scientific bent and none of the drugs. It’s one of those things that makes you feel blessed to live in the Bay Area.
Dylan Tweney: Maker Faire and DIY culture
Wired.com: From Welding to Weddings
Here’s my Flickr Set from the day, which also includes five short videos - using Flickr’s new video upload capability for the first time, with 30fps videos taken with my new PowerShot SD1100s - amazing to see how far the video quality has come in consumer still cams.
Other public Flickr shots tagged makerfaire2008.
One of the excellent things about being a parent is the endless opportunity to re-live your childhood. In high school, Gumby was mostly the subject of satire… we had grown up watching 1950s/60s Gumby shorts in the 1970s. In the 80s, mocking Gumby was fun because it had been a staple of our own childhoods, even though that staple had already been retro when we were tykes. But while we made lots of Gumby jokes and loved to quote from Eddie Murphy’s 1982 SNL Gumby reprisal, and while I even made a foam Gumby costume for halloween ‘82, I hadn’t seen any of the actual episodes since early childhood.
Rented a volume of early episodes recently to show Miles, and was taken by surprise — they’re so completely different from my early memories. I remember “Gumby” as innocent and simple, and it is. But it’s also incredibly surreal, and charmingly/badly produced. The stiffest voice acting you can imagine. Ridiculous plot and prop inconsistencies. The clay in Gumby’s body tearing between the legs and Clokey not even bothering to edit it out. Strange animations scattered throughout the stories for no particular reason… you can almost visualize the animators making it up as they went along: “Hey, what if a musical note jumped out of this red vinyl LP and down Gumby’s throat?” Sure, why not. Spontaneously bizarre.
Everything in the Gumby universe starts with “Gumb___.” Gumby and his family live in Gumbasia. Gumby’s mother and father are called Gumba and Gumbo. Gumba reminds Gumby every time he leaves the house, “Don’t forget to take your Gumbopiture!” — a bizarre reference to a recurring prop — a sort of circular thermometer that measures Gumby’s health relative to his temperature (clay is stiff when cold, runny when warm; Art Clokey seems to have been obsessed with the plot possibilities presented by clay’s thermal properties).
Another recurrent effect I had no memory of: Every time Clokey needed to show fire or smoke (dragon’s breath, burning wheat, steaming pools…), he created the effect by scratching at or burning the physical film (and by the looks of it, dousing it with chemicals from time to time). At one point, Gumby steals a hot rod and starts spinning donuts (I kid you not). The smoke reeling from his tires looks like Clokey just scribbled on the film with Magic Marker. It’s brilliant.
I had completely forgotten the excellent way Gumby gets around. Rather than animating him walking, Clokey just propped him up on one leg and slid him across the floor - an inexplicable one-foot slide/skate move that makes you wonder whether Gumby actually has some kind of undulating foot pad, like a super-fast mollusk. It’s just weird, totally cheap, and totally wonderful.
Nothing about watching Gumby episodes from the 60s while in your 40s matches your early childhood memories. Everything is cheaper, more hokey, more cliche’d, more technicolor. A TV show (even a kids show) being made this badly today would never get signed. These classic episodes would hardly even pass for rough cuts in today’s big-budget TV universe. But the constraints of small budgets allowed Clokey and the animators to think off-the-cuff and improvise like crazy. There were only three channels at the time, and no one cared that it was hokey - maybe that’s what we all loved about it (ultimately, Gumby became a 223-episode series stretching over 35 years).
After a few evenings of watching Gumby re-runs with Miles, I asked him what he thought:
“Well, it doesn’t amount to much, but it’s sure interensting!”
Right on.
“If you ever want to find the longitude and latitude of a location on Google Maps, simply center the map to the location you want to find. You can even search an address and this will work. Then paste in this code into the URL field:
javascript:alert(window.gApplication.getMap().getCenter());
A pop-up box will appear with the longitude and latitude.”
“Don’t Ask Don’t Tell” is perhaps the most discriminatory law in our country today. Since President Clinton signed “Don’t Ask, Don’t Tell” into law in 1993 over 12,000 GLBT men and woman have been kicked out of the Armed forces because of their sexual orientation. The Harvard Right To Serve campaign is a student-led effort that seeks to end this injustice. From May 24-31, 30 students from Harvard University will embark a four city journey across America that will highlight the injustice of “Don’t Ask, Don’t Tell.” In each city one openly GLBT Harvard student will attempt to sign up for military service. When their desire to serve is rejected participants on the Harvard Right to Serve tour will sit-in at the recruitment station to highlight the injustice of denying a citizen the right to serve based solely on their sexual orientation.
Miles (5.5) especially quiet as we were getting back in the car after an afternoon riding rides at the zoo. I asked him what he was thinking about. “Oh, nothing.” Then, two minutes later: “Daddy, did you ever feel like everything in the world is just your dreams and the world never really existed?”
A chill went up my spine. At first because it seemed so philosophical, and kind of precocious. But then I realized the chill was one of recognition - I remember having exactly the same thoughts at the same age, and actually becoming kind of obsessed with the idea that I couldn’t prove the reality of my own existence. Took 20 more years to realize that solipsism was actually a whole field of philosophy… the whole brain in a vat thing.
Another minute later: “Yeah, the world is basically a big ball of nothing.” Oh, great, now we’ve bridged into nihilism. Then, at break-neck speed, we snap back into kid territory: “I can’t make my pinky finger wrap around my other finger and I really want it to! … Can we get a dog?”
Whew.
A new visual authentication system called IMAGINATION, from Penn State’s ALIPR (Automatic Linguistic Indexing of Pictures) program, takes a very different approach. Working with random images rather than characters means the pool of possibilities is not finite (image recognition is far more difficult than character recognition). And the two-part process refines the human requirement further: Find a center, then describe.
But while traditional captchas have had problems with accessibility, ALIPR is going to be completely off-limits to the blind. Oh, and it takes up a whole screen, rather than a few hundred pixels2. That sounds like a deal-breaker right there. Or at least a deal-breaker until we get so fed up with being cracked that interaction designers are willing to give up an entire page to make it stop.
Once you solve the captcha, the site invites you to throw your best bot at it. I’m thinking maybe five years before the bots crack this one.