It's a hassle you know to make rocket ships go to infinity. -Gong
 
January 7th, 2010

NuForce uDAC

A few weeks ago, during a spell of unusually dry winter weather, I went to unplug a pair of Grado SR-80 headphones from my iMac. A spark of static electricity leapt from my fingers, I heard a brief crackling sound, and then… [silence]. From that moment forward, the headphone/speaker jack on the back of the Mac has refused to work, and only “Internal Speakers” showed up in the System Preferences Sound panel. My trusty work Mac had gone mute.

My only options were either to send the Mac in for repair or switch to USB audio output. I couldn’t afford to be without the Mac, and I was interested in hearing what kind of audio upgrade I’d get by bypassing the Mac’s internal Digital Audio Converter (DAC), so I hit up an audiophile friend for recommendations. Hit the jackpot when he suggested the NuForce μDAC (aka microDAC) – a handsome $99 outboard DAC smaller than a pack of smokes.

The unit arrived a few days later and I was blown away from the moment I plugged it in and enabled it in the Sound prefs Output panel. Digital audio has never sounded better on a computer I’ve owned. But since the original analog jack was fried, I had no way to directly compare the quality of the Mac’s native DAC with the new outboard. Today I sat down at someone else’s work Mac and did some A/B testing.

For the test, I chose two recordings:

  • Sonny Rollins: “I’m an Old Cowhand” (from Way Out West)
  • Beatles: “Because” (from Abbey Road 2009 Stereo Remaster)

(I chose these two because A) I love them and B) I had them on hand at 256kbps AAC, for best possible resolution).

Full disclosure: I appreciate great-sounding audio, but I’m far from a hardcore audiophile. For a balls-out audio tweak’s perspective on the μDAC, see HeadphoneAddict’s review at head-fi.org.

Just a few minutes into Cowhand, I noticed something I’d never heard before: The sound of the cork linings of the valves of Rollins’ saxophone tapping away as he played. It was subtle, but it had been there in the recording all along – I had just never noticed it. And that’s exactly the point – the differences are subtle, and you may not notice all of them unless you’re listening for them, but they’re present. And that subtlety adds up to an overall experience that’s simply more realistic, more nuanced than what you get with the cheaper DAC built into consumer PCs. It’s all about presence.

Likewise, I found the harmonies in Because fuller, richer, more bodied than they sounded through the Mac’s native DAC. The French horns far more alive and breathy, the harpsichord more twangy. Virtually everything about these two tracks sounded more engaging.

Another thing I noticed: Usually, near the end of a long day writing code, I feel the need to take the headphones off and rest my ears. I didn’t have that sensation today. I can’t say for sure, but I suspect that more natural sound is less fatiguing to the ears (and the brain’s processor).

One caveat, and this is true for any USB audio system attached to a computer: Because there’s no longer an analog sound channel for the computer to manipulate, you’ll lose the ability to control volume or to mute from the Mac’s keyboard. That habit has been ingrained for so many years I don’t even think about it, so retraining myself to adjust audio from the μDAC’s volume knob will take some getting used to. However, you can still use the volume control in iTunes itself, and it may be possible to re-map the keyboard’s audio control keys to tweak iTunes’ internal volume directly.

In any case, the NuForce μDAC is one of the best c-notes I’ve dropped on audio gear over the years. Recommended even if you haven’t fried your analog port.

December 21st, 2009

Please Remember Victor Jara

For Stuck Between Stations, Roger Moore has an excellent new post:
Please Remember Victor Jara, “the Chilean singer-songwriter and pioneer of the nueva cancion movement, who was tortured and murdered with many others following Pinochet’s CIA-supported 1973 military coup on September 11, 1973.” Jara’s name is little-known in the U.S., but he was canonized in the Clash’s track “Washington Bullets,” when Strummer intoned “Please remember Victor Jara, in the Santiago stadium.”

December 3rd, 2009

iTunes Remote Control

bragg.jpg Scenario: Music collection on an iMac in the office on one end of the house, pumping music over Airport Express to stereo in the living room on the other. Need to be able to remotely navigate collection and control playback from a laptop in the living room.

Seemingly perfect solution: iTunes Remote app for iPhone, connecting to the office Mac via wi-fi. Close, but not quite. At first, iTunes Remote app seems like the perfect remote control, complete with album covers. But a real remote you can pick up and operate on a moment’s notice, no strings attached. The iTunes Remote app, on the other hand, takes around 10 seconds to re-connect to the remote library every time you want to use it. You wouldn’t accept that kind of delay from any other remote control, so iTunes Remote gets annoying fast.

Alternative 1: Enable iTunes Sharing on the office Mac, then launch a copy of iTunes on the living room laptop and access the shared library. Configure iTunes to send music from the laptop directly to the AEX. Problem solved? Not quite. I rely heavily on the ability to rate tracks as they roll through. 1 or 2 stars for the tracks I can live without, then periodically cull duds from the collection based on ratings. Tracks with 4 or 5 stars form the basis for my best playlists. Unfortunately, when connecting to a remote library in this way, you have read-only access, and no way to rate tracks on the remote box. Bzzzzzt, deal-breaker.

Remote_iTunes_Logo_1.jpg Alternative 2: Third-party software. There are a few shareware packages available in this niche, but the only one I found that worked reliably was Jonathan Beebe’s open source Remote iTunes. The interface is a stripped down clone of iTunes itself, but its remoting ability includes something iTunes does not – the ability to authenticate as an admin user. Enter the IP of the office Mac, a username and pass, and give it a few seconds to pull across the music library index. Once connected, it stays connected, and you get the ability to rate tunes on the remote system. It’s not perfect, but close enough for jazz.

I’d love for iTunes itself to grow this ability so I’d have access to all iTunes features. Alternatively, I’d kill (not literally) for a desktop version of the iPhone Remote app. But Remote iTunes gets the job done with less pain than anything else I’ve tried.

December 2nd, 2009

Reasons To Be Cheerful

Recently at Stuck Between Stations:

Roger: Reasons To Be Cheerful

… on how a new biography and forthcoming film may signal an Ian Dury renaissance.

As the missing link between Benny Hill and Bertrand Russell, Dury had ingenious ways to find the sublime in the ridiculous. His backing band, the Blockheads, stayed tight and funky in an era better known for its sloppy chaos.

Scot: Auto-Tune This!

… finally learning what the mysterious term “auto-tune” means, just as the meme heads for the dustbin.

Scot: So Messed Up, I Want You Here

Would Iggy Pop approve of this modeling school for girls rendition of “I Wanna Be Your Dog?”

Roger: Blues for Dracula: An Impromptu Halloween Playlist

If you’re George Clinton, every day has been Halloween for the last 68 years.
October 26th, 2009

Seven Television Commercials

Recently at Stuck Between Stations:

radiointro

Scot sat down with his better half to watch Radiohead: Seven Television Commercials, a brief collection of Radiohead music videos.

Such impressionistic stuff, we decided to skip any attempt at actual review/synopsis and instead just riff words off the visuals and post whatever came out, do a sort of Kerouac typewriter roll on it. What follows are seven songs, seven paragraphs.

Roger, Discovering Japan

I recently stumbled upon Neojaponisme’s summary of the hundred greatest Japanese rock albums, as compiled by Kawasaki Daisuke two years ago. While I’m generally no fan of numerical rankings for music, I’m struck by his explanation of why such lists have often been uncommon in Japan: he claims that almost entire music industry there “is infected with the idea that they should not rank releases because it would ‘make the record companies angry’.”
September 12th, 2009

“Dad Rock” Isn’t a Bad Thing

Recently at Stuck Between Stations, Roger Moore has been on a tear.

Wilco: For Dads About to Rock, We Salute You

Wilco will always be too traditional for those who want them to be weird, and too weird for those who want them to be traditional.

Shatner Meets Sarah: Tundra on the Edge of Forever

For a long time after I first saw spoken-word artist Sarah Palin recite for a national audience, part of me doubted her existence. … But Palin is indeed real, and the past month has shown that I clearly misunderestimated her artistic skill. A governor is a lot like a performance artist, but with actual responsibilities.

Jacques Dutronc: 500 Billion Little Martians Can’t Be Wrong

I only remembered it was Bastille Day an hour before it was over this Tuesday, but I knew just what I wanted to hear. Jacques Dutronc is a revered figure in his country’s rock history that remains a total obscurity to many stateside. That’s a shame, because if there’s one person who can demonstrate that “French rock” isn’t an oxymoron, it’s Jacques Dutronc.
August 15th, 2009

Shatner Meets Sarah: Tundra on the Edge of Forever

For Stuck Between Stations, brilliant piece by Roger Moore on William Shatner’s dramatic reading of Sarah Palin’s Twitter stream, including a sideways reference to Swedish children’s books:

“It didn’t help that the author of her signature convention speech is a vegetarian animal rights activist, or that the names of her six children (Snipp, Snapp, Snurr, Flicka, Ricka, and Dicka) sounded too familiar. “

That’s when blueberry smoothie squirted out of my nose from laughter.

June 30th, 2009

How Michael Jackson Liberated Eastern Europe

For Stuck Between Stations, Roger Moore on how Michael Jackson liberated Eastern Europe from communism: The Aviator, Part I:

As with Elvis, I dismissed most of what he did long before he left. But MJ was an arresting presence even for those who, like me, did my best to ignore him. Elvis even seems an inadequate comparison for his stratospheric global reach. A closer comparison might be Howard Hughes, another man-child of erratic brilliance, whose master aviator’s soaring heights later gave way to reclusive paranoia and heartbreaking tailspin.

Then, in The Aviator, Part II: Sky Saxon Moore pays tribute to Sky Saxon of The Seeds, whose death was completely overshadowed by Jackson’s.

The Seeds discovered trippy keyboards before the Doors, and were unleashing raw power before the Stooges. They were their best at their simplest, exemplifying Woody Guthrie’s dictum that if you use more than two chords, you’re showing off.

See also: Mayra Andrade’s Lunar Mission

May 25th, 2009

Gemini Rising

This week at Stuck Between Stations:

Roger Moore on the appearance of Metallica’s Lars Ulrich on the Rachel Maddow Show: Heavy Metal Drummer.

Scot on the greatest prog rock band you’ve never heard of: The mythical Gemini Rising takes to the web’s faux airwaves.

October 20th, 2008

This Band Could Be Your Life

This week at Stuck Between Stations:

This Band Could Save Your Life
Roger, on classic tracks that have a bpm count of around 100, matching that of the human heart:

A Reuters article this week reported that the Bee Gees’ falsetto-fortified 1977 disco hit ‘Stayin’ Alive,” which clocks in at 103 beats per minute (bpm), almost perfectly matches the 100 per minute rate that the American Heart Association recommends for chest compressions during cardiopulmonary resuscitation.

Strange Fruit
Roger, recalling the indelible power of Billie Holiday’s “Strange Fruit,” and the effect it had on his young mind. Connected to recent revelations about Julius and Ethel Rosenberg and their sons’ reactions to the revelation.

September 21st, 2008

Tetrishead

This week at Stuck Between Stations:

Roger Moore: Change of the Century: A Campaign Playlist, on the politics of campaign soundtracks… or what should be campaign soundtracks.

Me: Zoe Keating, Tetrishead — Recent discovery of avant-cellist Zoe Keating on WNYC’s Radiolab has us re-thinking what the cello can do to your mind.

September 3rd, 2008

Podcast Diet

Podcastlogo Podcasting changed my life.

There, I said it. Melodramatic, but true. When free time is whittled down to razor-thin margins, something’s gotta give, and media consumption is often the first luxury to go. And, speaking for myself, when I’m tired at the end of the day and give myself an hour of couch time, I’m not exactly predisposed to turn to the news. “Man vs. Wild” is more like it.

The one chunk of time I get all to myself every day is the daily commute (by bike or walk+train), which amounts to just over an hour a day. A few years ago, commute time was music time, but podcasting changed all that.

With a weekly quota of five hours consumption time, didn’t take long to subscribe to more podcasts than I could possibly digest before the next week rolled around. But I continue to hone the subscription list. Here are some of the podcasts I’ve come to call friends:

Links are to related sites – search iTunes for these if podcast links aren’t obvious.

- This Week in Tech: Tech maven Leo Laporte used to do great shows at ZDTV, now runs his own tech news & info podcasting network. I appeared on his TV show a few times back in the BeOS days; now I’m just a faceless audience member. Show gets rambly and too conversational at times, but they do a good job of traversing the landscape, and there are plenty of hidden gems. Frequent co-host John Dvorak drives me crazy, despite his smarts.

- Podcacher: All about geocaching, with “Sonny and Sandy from sunny San Diego, CA.” Great production values. Love it when the adventures are huge, but get bored with all the geocoin talk (unfortunately fast-forwarding through casts and bicycling don’t go well together, especially since losing tactile control after moving to the iPhone). Still, lots of tips, excellent anecdotes, and occasional hardware reviews.

- Radiolab: I’ll go with their own description: “On Radio Lab, science meets culture and information sounds like music. Each episode of Radio Lab. is an investigation — a patchwork of people, sounds, stories and experiences centered around One Big Idea.” I love what they do with sonic landscapes. I can’t think of a better example of utilizing the podcasting medium’s unique characteristics. The shows are mesmerizing, and welcome relief from my tech-heavy audio diet.

- This American Life: Everyone’s favorite NPR show. Excruciatingly wonderful overload of detail on the bizarre lives or ordinary Americans. Your soul needs this show.

- Slate Magazine Daily Podcast: They say it would be a waste of the medium’s potential to just have someone read stories into a microphone. I beg to differ. I don’t have time to read Slate, but love their journalism. I’m more than stoked to receive a digest version of the site through my ear-holes.

- FLOSS Weekly: Another Leo Laporte show, but in this one he gets out of the way and lets his guests do the talking. All open source, all the time. Usually interviews with leaders / founders / spokespeople for various major OSS initiatives. Great interviews recently with players from the Drizzle and Django camps.

- Stack Overflow: Who woulda thunk a pair of Windows-centric web developers would have captured my attention? But great insight here into the innards of web application construction. Geeks only.

- NPR: All Songs Considered If you’re old-and-in-the-way like me, feeling like your musical soul isn’t get fed the way it should, you could do a lot worse than subscribe to All Songs Considered – annotated rundown of recent (and sometimes not-so-recent) discoveries that remind you why music is Still Worth Paying Attention To.

- This Week in Django: Part of the reason I’ve been so quiet lately is that I’m deeply immersed in Django training, having inherited a fairly complex Django site at work (more on that another day). This podcast is pretty hardcore stuff, for Django developers only. Can’t pretend to understand it all, but right now it’s part of the immersion process, and is helping me gain scope on the Django landscape.

- The Wordpress Podcast: I spend more of my time (both at work and at home) tweaking on WordPress publication sites than anything else, and this is a great way to stay abreast of new plugins, security issues, techniques, etc. Wish it was more technical and had a faster pace, but it’s the best of the WordPress podcasts.

- Between the Lines: Back in my Ziff days, I worked for the amazing Dan Farber, who’s still going strong at ZD. This is my “check in with the veteran tech journalists” podcast, and is a serious distillation of goings-on in the tech world. Always a good listen.

Obviously there’s no way to fit all of these into the weekly commute hours, but I try. No time to digest more, but dying to know what podcasts have you gripped. Let me know.

Music: Minutemen :: Storm In My House
August 13th, 2008

The Long Tail in My LR

Fried from a long day, then with a client until 11:00, much-needed couch time. Overwhelmed myself with Olympic opening ceremony last night, couldn’t take more. Then remembered – wasn’t Tivo about to grow a YouTube gland? Checked in and sure enough, a bazillion new vids were there, waiting to be inhaled.

As expected, video quality isn’t great blown up to HDTV size, and audio is sometimes out of sync with the video, but the range of human experience at your fingertips is mind blowing. Started with a few Captain Beefheart clips, moved on to Django Rheinhardt, then to Jacob Kaplan-Moss talking about Django at Google HQ in 2006. I’d never watch an hour-long video at the computer, too restless for that, but this works.

The long tail is in my living room.

P.S. Thanks to the WordPress dev team for creating the WP posting client for iPhone, which I’m tapping away at now – wallowing in luxuriant tech.

“The ink is never dry on these babies.”

July 21st, 2008

Tooth Imprints on a Corndog

Recently at Stuck Between Stations:

Cassette-Hand-1-Tm Tooth Imprints on a Corndog: Me on fortuitous audio collisions: Tape print-through effects, the Backyardigans, Dark Side of the Rainbow, and Scandinavian jazz weirdo Solveig Slettahjell.

Hotter Than July: A Summer Playlist: Roger Moore on Dick Dale, Tuareg rockers Tinariwen, Blitzen Trapper, The Kinks, The Replacements, and more. Which tracks are fueling your summer?

The Residents: Music for Melting: Roger Moore gets re-acquainted with a classic arctic chill. Have to admit, it’s been probably 20 years since I’ve listened to this, but now he’s got me digging through Residents back-catalog too.

Bo Knows Qaddafi: Roger Moore eulogizes the late great Bo Diddley, and relates the gunslinger’s sometimes embarrassing politics.

Carrie Nation: Roger Moore says ex-Sleater-Kinney guitarist cum ThuderAnt Carrie Brownstein is his favorite American rock guitarist of the last dozen years. I personally don’t “get” Sleater-Kinney, but do dig her writing at Monitor Mix.

May 18th, 2008

Sixth Annual Matthew Sperry Memorial Festival

2008Sperryfesttn matthewsperry.org is a site I maintain in honor of a musician friend who was tragically laid down by a car while on his bike five (wow) years ago this June. Every year, Matthew’s musician friends gather forces and put on several days of amazing benefit shows in the Bay Area. Details on the Sixth Annual Matthew Sperry Memorial Festival have been posted, and this year is shaping up to be great.

The festival tradition of commissioning new works for large ensemble continues with a page from Matthew’s composition notebook: Treasure Mouth, which requires a band to follow along to lyrics as fast as they can be written out for them by others — call it improv karaoke.
Music: Fela Anikulapo :: Mr. Follow Follow